Soap opera star claims 'people tried to run me off the freeway' over villainous TV roleNew Foto - Soap opera star claims 'people tried to run me off the freeway' over villainous TV role

Tracey Bregmanis soap opera royalty, but there are some people who haven't been too fond of some of her storylines. Bregman recently claimed that her most famous character, Lauren Fenmore in "The Young and the Restless," was originally so poorly received that she received death threats. She went as far as saying "people tried to run me off the freeway" due to her character's behavior. Lauren Fenmore made her first appearance in the long-runningdaytime dramain 1983, and Bregman has been playing her ever since. While the character is a fan favorite now, it wasn't always that way. In the beginning, Lauren was a bully, and Bregman recalled specifically that her character's treatment of co-star Beth Maitland's Traci Abbott was a tough pill for fans to swallow. 'General Hospital' Star Says Goodbye To Hollywood After 35 Years With Cross-country Move Speaking on the"Soapy"podcast, she confirmed she received backlash for her character's harsh words and said it was also difficult personally to say those kinds of things to Maitland. Read On The Fox News App "That was very, very difficult because Beth is one of my best friends for 42 years," she said. "And I knew, because we were so close, how she was really feeling about a lot of things." Like What You're Reading? Click Here For More Entertainment News She recalled a story based on Maitland being "a little overweight and being conscious about that," saying, "Then I had to say the worst things to her, and Beth will tell you that I cried more than she did over it because I could barely get it out sometimes." There were "fun times" during filming too, but Bregman said, "I will tell you, it was a double-edged sword playing the mean girl because I would get death threats, and people tried to run me off the freeway." The podcast's hosts, fellow soap starsGreg Rikaartand Rebecca Budig, were shocked by that. "No, it was bad," Bregman said. "There were some bad parts that I never really talked about, actually." Bregman has played the role of Lauren in over 2,000 episodes, 1,847 on "The Young and the Restless" and 377 on "The Bold and the Beautiful." Before she took on the character, she got her start in soap operas by playing Donna Temple Craig in "Days of Our Lives" in over 150 episodes from 1978 to 1980. Click Here To Sign Up For The Entertainment Newsletter While Lauren eventually became more likable, another soap opera villain wasn't as lucky. Last month,"General Hospital"actress Eva LaRue spoke about her departure from the show after just one season, admitting it was "hard" for her personally that her character was despised by fans after being a fan favorite during her time on "All My Children." "It was hard for me, actually — for me as a person," she toldSoap Opera Digest. "Because, in daytime, when you play a character like Maria Santos, love her or hate her, she was not ever meant to be a vilified character. And so it was hard from being that character, being a fan favorite, to being, like, literally hated. "The GH fans couldn't stand [her character]! So that was tough, because especially if you are accustomed to being rooted for, to be rooted against is not as comfortable." Original article source:Soap opera star claims 'people tried to run me off the freeway' over villainous TV role

Soap opera star claims 'people tried to run me off the freeway' over villainous TV role

Soap opera star claims 'people tried to run me off the freeway' over villainous TV role Tracey Bregmanis soap opera royalty, but the...
John Oates reflects on his own mortality after Ozzy Osbourne's death: 'I take it very seriously'New Foto - John Oates reflects on his own mortality after Ozzy Osbourne's death: 'I take it very seriously'

Joy Malone/Getty; Matt Winkelmeyer/Getty John Oatesis determined to make the most of his life as he says goodbye to some of his contemporaries. "I see the horizon's a little closer for me now than it was back when I was younger, which is as it should be, really," the 77-year-old singer-songwriter tellsEntertainment Weeklyduring a recentinterview about his new self-titled album,Oates. He says it was that feeling that gave him the need to "step away" from his beloved rock duoHall and Oatesand "make a statement on my own" as a solo artist following the loss of so many beloved musicians, citing the recent death ofOzzy Osbourne. "When I look around, and I don't want to become morose about this, but when I look around... Even just recentlyOzzy Osbourne, you know? So many people are passing away," Oates remarks. "People who are my age — younger than me, even — and I see them falling by the wayside for any number of reasons." Osbourne, a true heavy metal pioneer and founding member ofBlack Sabbath,died July 22aftersuffering a heart attack. He was 76 years old. As a result, the "Mending" singer explains that he's come to feel like "there's a time stamp on my creative life," too. And he wants to make sure that every minute is spent wisely. With every loss, Oates says that he's reminded that he still has "something to give" to the world through his music and to keep pushing forward as an artist in his own right. "I'm still at the point in my life where I can still write, I can still sing, I can still play," he explains. "I've got something to give, and who knows how long it's going to last. And so I take it very seriously." That motivation has also led him tobid farewell to his over five-decade-long musical partnership with Daryl Hall— which spawned hits like "Rich Girl," "I Can't Go for That (No Can Do)," and "Out of Touch" — and to invest in himself and the message that he wants to share with the world as a soloist. "I needed to take this [opportunity]," Oates shares. "I needed to step away from Hall and Oates, and I needed to really get a lot of the creative feelings, emotions, and thoughts out there on my own — to make a statement on my own as I get to this point in my life." Gary Gershoff/Getty The singer, songwriter, multi-instrumentalist, and producer is doing just that with the release ofOates. The 13-track record sees the New York native expertly float tales of love, heartbreak, positivity, and frustration over a dreamy bed of smooth soul, R&B, and bossa nova melodies. Sign up forEntertainment Weekly's free daily newsletterto get breaking news, exclusive first looks, recaps, reviews, interviews with your favorite stars, and more.It's an album that Oates says is imbued with an "uplifted, positive feeling of moving forward" from his time in the musical duo and into his own kind of artist. "To me, the legacy of Hall and Oates and the things that Daryl and I created together is like a visit to a museum," he explains. "It will stand the test of time and hopefully still resonate further into the future. That music will hopefully never go away — which I'm so proud of — but, at the same time, you walk through a museum after a few hours, your feet start hurting, and you've seen so many beautiful things, and you say, 'Okay, enough is enough. I gotta move on. I've gotta go out into the sunshine and see what else is out there.'" Oatesis available now. Read the original article onEntertainment Weekly

John Oates reflects on his own mortality after Ozzy Osbourne's death: 'I take it very seriously'

John Oates reflects on his own mortality after Ozzy Osbourne's death: 'I take it very seriously' Joy Malone/Getty; Matt Winkelme...
After being hidden away from public view, the gun used to kill Emmett Till is now on displayNew Foto - After being hidden away from public view, the gun used to kill Emmett Till is now on display

The weapon used to kill Black teenagerEmmett Tillin one of the most notorious lynchings that helped ignite the civil rights movement is nowon displayat a museum in the Deep South. Emmett was just 14 when he was kidnapped from his great-uncle's house by two White men who later admitted to beating and torturing the teen before shooting him in the head and throwing his body into the Tallahatchie River, weighed down by a 75-pound cotton gin fan. The .45-caliber pistol and worn saddle-brown holster, marked with the initials J.M., are part of an exhibit at the state's Two Mississippi Museums – the interconnected Museum of Mississippi History and Mississippi Civil Rights Museum – that aims to tell"the whole story"70 years after Emmett's murder. Emmett's murder in the Jim Crow South, and his mother's decision to hold a public open-casket funeral where thousands saw Emmett's mangled body, sparked global outrage and accelerated the civil rights movement in America. Writer Wright Thompson, who wrote an account of Emmett's death in his book "The Barn: The Secret History of a Murder in Mississippi," said inan article in The Atlantiche was tipped off about the gun and found it "sitting in a safe-deposit box" in a Mississippi bank. CNN reached out to Thompson for comment but did not immediately hear back. A spokesperson for the Mississippi Department of Archives and History confirmed Thompson's account of the events. The gun and its holster had been in the private ownership of a Mississippi family "that is not connected to the case," the state's Department of Archives and History said. TheFoundation for Mississippi Historynegotiated with the family and was able to acquire the weapon and holster under the condition that the family remain anonymous, Two Mississippi Museums Director Michael Morris said. "It wasn't until earlier this year that I fully understood that he (Emmettl) was shot," Morris said at a news conference about the artifacts on Thursday. "Most people know about the fact that he was brutally beaten and tortured, but it's important to know that he was shot as well, and so that gun being on display is going to help us tell that story." The weapon was authenticated through its serial number, which matches information from FBI records, according to Morris. The FBI and the Justice Department's Civil Rights Division closed their investigations into the infamous killing without filing federal charges, due to thestatute of limitationsand because they could not prove a key witnesslied to federal investigatorsabout her story. Deborah Watts, Emmett's cousin and the co-founder of theEmmett Till Legacy Foundation, said the family is "wrestling with an intellectual and spiritual conundrum" over the recovery and display of the gun. "The gun that was used in Emmett's heinous murder is in fact evidence in a case that, while closed, is one in which we still seek justice," Watts said in a statement to CNN. But in the absence of charges and with most people involved in the case now dead, the family said the exhibit honoring Emmett has special bearing. "We also understand the importance of the gun as an artifact for education so that current and future generations are able to reflect and grasp the importance in resisting erasure or the changing of historical facts," Watts said. TheChicago teenwas visiting family in Money, Mississippi, in thesummer of 1955when he had his fateful encounter withCarolyn Bryant Donham, who was 21 at the time. Accounts from that day differbut witnesses alleged Emmettwhistledat Bryant Donham after purchasing somebubble gumfrom the store she owned with her then-husband. Emmett wasfalsely accusedof flirting and making advances at Bryant Donham. Four days later, Bryant Donham's husband at the time, Roy Bryant, and his half-brother, J.W. Milam, rousted Emmett from his bed in the middle of the night, ordered him into the bed of a pickup and eventually beat him viciously before shooting him in the head. Both the gun and the holster originally belonged to Milam, who along with Bryant, admitted to the killing in a 1956 interview withLook Magazine, about four months after an all-White jurydeliberated for underan hour before acquitting the two, despiteeyewitnesses identifying the defendantsand the men confessing to kidnapping the teen. Morris said the Mississippi Department of Archives and History told Emmett's family that the artifacts would be on permanent display in a theater where a narrative film describes what happened "from the teen's entry into Bryant's Grocery & Meat Market to his murder." Rev. Wheeler Parker, whowitnessed his cousin Emmett's abduction, said displaying the murder weapon and holster is "good because it brings closure," according to theMississippi Department of Archives and History. "This weapon has affected me more so than any other artifact that I've encountered in my 30-year museum career," said Nan Prince, the director of collections for Mississippi's Department of Archives and History. "The emotions that are centered around it are hard. It's a hard thing to see and a hard thing to convey." To mark the 70th anniversary of Emmett's kidnapping and murder, the Emmett Till Interpretative Center this past week held a multi-daycommemoration programwhere national and civil rights leaders met to reflect on "the life and legacy of Emmett Till and advance the ongoing movement for racial justice." Commemorative events included a train ride from Chicago to Mississippi that echoed the one Emmett and his family took 70 years ago, "linking together sites that are important to the Emmett Till tragedy." The new exhibit comes as museums across the country face increased federal scrutiny, afterPresident Donald Trump allegedmuseums were too focused on highlighting negative aspects of American history, including "how bad slavery was." That announcement prompted the American Alliance of Museums, which represents 35,000 professionals in the sector, tospeak out against"growing threats of censorship against US museums." "These pressures can create a chilling effect across the entire museum sector," the group said. When asked about the current national debates about how to teach difficult history, Morris said his museum will continue doing public history work. "One of the reasons why the Civil Rights Museum was created is to tell the unvarnished truth about what happened in terms of the civil rights movement here in Mississippi, and that's our mission," he said. "And I think the acquisition of this artifact is a part of our mission, and so we're just going to continue doing public history work. And for us, you know, we're just doing our jobs." For more CNN news and newsletters create an account atCNN.com

After being hidden away from public view, the gun used to kill Emmett Till is now on display

After being hidden away from public view, the gun used to kill Emmett Till is now on display The weapon used to kill Black teenagerEmmett Ti...
As U.S. fleet steams toward coast, Venezuelans face uncertainty, fear and, for some, hopeNew Foto - As U.S. fleet steams toward coast, Venezuelans face uncertainty, fear and, for some, hope

U.S. warships steam toward the southern Caribbean. The Trump administration denounces embattled "narco-president" Nicolás Maduro and doubles a bounty on his head to $50 million. Rumors of an invasion, coup or other form of U.S. intervention flood social media. For the beleaguered people of Venezuela, mired in more than a decade of crisis — hyperinflation, food shortages, authoritarian rule and rigged elections — a new phase of anxiety is once again rattling nerves. Even so, Venezuelans are trying to soldier on. "We try to keep up our activities, our schedules despite the uncertainty," said Leisy Torcatt, 44, a mother of three who heads a baseball school in a nation where a passion for sports helps fend off despair. "Our daily problems continue, but we cannot become paralyzed. ... We keep on going forward trying to work out our differences," she said. There is an inescapable sense here that matters are largely out of people's control. The massive anti-Maduro street protests of past years did little to dislodge, or undermine, Maduro, and the opposition has long been deeply divided. Authorities have jailed dissenters and broken up coup attempts. And now, once again, Venezuela appears to be in Washington's crosshairs. "We have already seen it all," said Mauricio Castillo, 28, a journalist. "It's not that we have lost faith in the possibility of real change. But we are fed up. We cannot just stop our lives, put them on hold waiting for 'something' to happen." Here in the capital, Venezuelans are accustomed to the enhanced martial ritual: more blockaded avenues, more troops on the streets, more barricades shielding the presidential palace of Miraflores, where Maduro launches diatribes against the "imperialist" would-be invaders. Yet, despite the current naval buildup in the Caribbean, the Trump administration has given very mixed signals on Venezuela. During Trump's first presidency, his administration recognized a shadow opposition president, indicted Maduro on drug-trafficking charges and imposed draconian sanctions on the oil and financial sectors. The sanctions effectively collapsed an already shaky economy in what was once South America's wealthiest nation. The economic meltdown led to an exodus of some 8 million Venezuelans, almost a third of the population. Most ended up elsewhere in South America, but hundreds of thousands made it to the United States. Trump has signaled emphatically that they are not welcome, ending Biden administration-era protections and stepping up deportations. During the presidential campaign — and since returning to the White House — Trump has repeatedly said, without evidence, that Venezuela had emptied its prisons and sent the worst offenders to the U.S. But shortly after taking office for his current term, Trump dispatched a special envoy, Richard Grenell, to meet with Maduro, generating hopes of improved relations. Washington later granted Chevron, the U.S. oil giant, a license to continue operating in Venezuela — home to the globe's largest oil reserves — in a move that provided much-needed hard cash for Caracas, and oil for the U.S. market. Then, in July, the Trump administrationhailed the releaseof 10 U.S. citizens and permanent residents being held in Venezuela in exchange for the return of hundreds of Venezuelan nationals who had beendeported to El Salvador. Meantime, the United States has regularly been sending other deportees back to Venezuela in another sign of bilateral cooperation. "So far we've seen President Trump very clearly endorse a policy of engagement with Venezuela," said Geoff Ramsey, senior fellow with the Atlantic Council, a Washington-based research group. "The U.S. is not going to invade Venezuela anytime soon." Others say they're not so sure, despite Trump's stated aversion to getting involved in more wars — and the likely negative blowback in much of Latin America, where the prospect of U.S. intervention inevitably revives memories of past invasions, land grabs and support for right-wing dictators. In the view of U.S. officials, Maduro and drug trafficking are inextricably entwined. The White House labels Maduro the head of the "Cartel of the Suns," a smuggling network allegedly tied to the Venezuelan government and military. And Trump has reportedlydirected the Pentagonto plan possible military action against Latin America cartels. (Maduro denies the drug charges, dismissing them as a U.S. disinformation campaign.) The massive scope of the U.S. naval employment seems to reflect the policy viewpoint of hawks such as Secretary of State Marco Rubio, who has long championed a hard-line stance against Venezuela. The buildup reportedly includes more than ahalf-dozen warships, including at least one submarine, and thousands of Marines and sailors. The White House says it's meant to deter maritime narcotics trafficking, not topple Maduro. "This is a lot of effort to put into something that's performance, no?" said Laura Cristina Dib, who heads Venezuelan research at the Washington Office on Latin America, a research group. In response, Maduro has bolstered militia sign-ups, deployed 15,000 troops to the border with Colombia and insisted there's "no way" U.S. forces can enter Venezuela. He scoffs at the U.S. contention that the naval buildup is an anti-smuggling effort, noting — correctly — that most cocaine is produced in neighboring Colombia and enters the United States via Mexico. "It's ridiculous to say they are fighting drug trafficking with nuclear submarines," Samuel Moncada, Venezuela's U.N. ambassador, told reporters Thursday. By most independent accounts, Maduro likely lost last year's election — monitors disputed his claimed victory — but his many backers are making a high-profile show of support given the U.S. saber-rattling. The government has orchestrated public sign-ups of militia members demonstrating their eagerness to fight for the socialist legacy of the late Hugo Chávez, Maduro's mentor and predecessor in Miraflores Palace. "None of us will be afraid when the moment comes to defend our country from foreign aggression," said Orlando López, 54, a grandfather and proud militiaman. "It's not justified that the president of some other country wants to impose his will." He rejected the notion of a pervasive sense of nervousness. "The climate in the city is one of tranquility, of peace," said López, who is part of a more-than-1-million civilian militia force backing Maduro. On a recent Sunday at Santo Domingo de Guzmán Roman Catholic Church in the capital's Baruta district, Father Leonardo Marius urged parishioners to ignore the drumbeat of war pounding the airwaves and internet. Venezuelans, he said, should focus on more basic concerns. "In Venezuela, a half a million children don't have enough to eat — no one talks about that," Marius told parishioners in his sermon. "But we love the Hollywood stories of boats and aircraft carriers, the show. ... 'They are coming! They are are disembarking!' Please! Hollywood has done a lot of damage. Let the stories be." Across town, at an upscale sports club, Javier Martín, a businessman, said the noise was hard to ignore. "The atmosphere across the country, but especially here in Caracas, is one of fear, distress, uncertainty," said Martín. "You see hooded officials on the streets and it makes you feel fear, like you are in a war." Venezuelans, he explained, live a kind of "surreal" existence, struggling to maintain their lives and families while always anticipating improvements, and changes, that never seem to come. "We live cornered every day," he said. "It's not sustainable." What's next? "Everyone expects something to happen," Martín said. "I just hope it's positive." Special correspondent Mogollón reported from Caracas and Times staff writer McDonnell from Mexico City. Sign up for Essential California for news, features and recommendations from the L.A. Times and beyond in your inbox six days a week. This story originally appeared inLos Angeles Times.

As U.S. fleet steams toward coast, Venezuelans face uncertainty, fear and, for some, hope

As U.S. fleet steams toward coast, Venezuelans face uncertainty, fear and, for some, hope U.S. warships steam toward the southern Caribbean....
Snoop Dogg Says 'My Bad' For Comments About Gay Couple in Pixar's 'Lightyear': 'Teach Me How to Learn'New Foto - Snoop Dogg Says 'My Bad' For Comments About Gay Couple in Pixar's 'Lightyear': 'Teach Me How to Learn'

Snoop Dogg has responded to the backlash surrounding his comments about LGBTQ+ representation in Disney and Pixar's "Lightyear." On Wednesday,Hollywood Unlockedreposted an interview with media personality TS Madison on Instagram, in which she discussed Snoop Dogg's push back on "Lightyear's" inclusion of a gay couple. The 16-time Grammy winner later took to the comments to explain he was just "caught off guard" at the time, and that he hopes his friends in the LGBTQ+ community can "teach me how to learn." More from Variety Snoop Dogg Says 'I'm Scared to Go to the Movies' After Pixar's Gay Couple in 'Lightyear' Led to Questions From His Grandson: 'These Are Kids. We Have to Show That at This Age?' 'Outer Banks' Alum Jonathan Daviss to Play Snoop Dogg in Upcoming Biopic Snoop Dogg to Host New Year's Eve Special for NBC and Peacock "I was just caught off guard and had no answer for my grandsons," he wrote. "All my gay friends [know] what's up, they been calling me with love. My bad for not knowing the answers for a 6 yr old. Teach me how to learn. I'm not perfect." During an appearance on the "It's Giving" podcast, Snoop Dogg said he is "scared to go to the movies" after he brought his grandson to "Lightyear" and had to field questions about the film's same-sex couple. "It fucked me up," he said. "I'm like, scared to go to the movies. Y'all throwing me in the middle of shit that I don't have an answer for… It threw me for a loop. I'm like, 'What part of the movie was this?' These are kids. We have to show that at this age? They're going to ask questions. I don't have the answer." "Lightyear" screenwriter Lauren Gunderson also issued a response on Instagram.In a post on Wednesday, she defended her decision to write a same-sex relationship into the film. "I'm proud of it. To infinity. Love is love," Gunderson wrote. "I was one of a few writers they had on it over the years, which is very common for screenwriting of course. I had very little to do with the final script. But I was proud to see a happy queer couple (even for a few seconds) onscreen. I know they got a lot of shit for this inclusion, but stuff like this matters because beautiful love like this exists." Not only did "Lightyear" feature one of Disney and Pixar's most prominent LGBTQ+ characters, it also depicted the first same-sex kiss in a movie. Asreported byVariety, the moment was met with controversy internally at Pixar after the studio considered cutting the scene. Employees and allies at Pixar sent a joint statement to Walt Disney Company leadership claiming executives had censored "overtly gay affection" in Disney films. The kiss was kept as a result. Best of Variety Best Labor Day Deals on Samsung, Bose, Criterion Collection and More What's Coming to Disney+ in September 2025 New Movies Out Now in Theaters: What to See This Week Sign up forVariety's Newsletter. For the latest news, follow us onFacebook,Twitter, andInstagram.

Snoop Dogg Says ‘My Bad’ For Comments About Gay Couple in Pixar’s ‘Lightyear’: ‘Teach Me How to Learn’

Snoop Dogg Says 'My Bad' For Comments About Gay Couple in Pixar's 'Lightyear': 'Teach Me How to Learn' Snoop Dog...

 

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