“Lilo & Stitch” and “Mission: Impossible 8 ”crush their box office competition for the second week in a row

"Lilo & Stitch" and "Mission: Impossible 8 "crush their box office competition for the second week in a row

courtesy of Disney; Paramount Pictures and Skydance Even withJackie Chanon his side, the Karate Kid stood no chance against the combined powers ofStitchandTom Cruise. After breaking several box office records with theirmassive Memorial Day weekend debuts, bothLilo & StitchandMission: Impossible - The Final Reckoningare still going strong. Disney's live-action remake of their 2002 animated hit picked up another $63 million at the domestic box office, bringing its domestic tally to $280 million, per Comscore. Globally, the film is now at a whopping $610.8 million after just two weeks in theaters. Riding the wave of box office success putsLilo & Stitchon the path to possibly surpass the year's biggest winner so far,A Minecraft Movie($947 million). Following a fugitive alien who befriends a lonely Hawaiian girl,Lilo & Stitchnot only taps into millennial nostalgia, but has welcomed a new generation into the franchise thanks to its adorable mascot. courtesy of Disney Elsewhere, Cruise is nipping at the blue alien's heels as he sprints through the latest chapter of theMission: Impossiblefranchise. Billed asTom Cruise's final outing as IMF agent Ethan Hunt,Final Reckoningpicked up $27.3 million this weekend, bringing its domestic gross to $122 million and its global tally to $353.8 million. Coming in third is another familiar title,Karate Kid: Legends, the sixth film in the martial arts action franchise. Starring Chan,Ben Wang,Ming-Na Wen,Ralph Macchio, andJoshua Jackson, the sequel picks up three years after the conclusion of the popular TV spinoffCobra Kaiand follows a new student (Wang) as he trains for a karate tournament under Daniel LaRusso and Mr. Han. The film debuted to $21 million domestically, for a global total of $47 million. As theaters had no shortage of offerings this weekend, horror-inclined moviegoers also got their fill: For those seeking scares,Final Destination Bloodlinescontinued to deliver. The film earned another $10 million domestically, bringing the gory sequel to $111 million ($229 million globally). Jonathan Wenk/Columbia Pictures Featuring the final performance of horror iconTony Todd, the film marks the sixth entry in the franchise, which began in 2000 withFinal Destination. Directed by Adam Stein and Zach Lipovsky, the story once again centers an unfortunate soul who has a vision of the future that allows them to escape a horrifying death. But they soon realize that cheating death is no easy feat as one by one, the survivors — and their descendants — fall victim to increasingly grisly deaths. Sign up forEntertainment Weekly's free daily newsletterto get breaking TV news, exclusive first looks, recaps, reviews, interviews with your favorite stars, and more. Another horrifying feature cashed in at the box office this weekend.Bring Her Backis the latest from Danny Philippou and Michael Philippou, the filmmaker brothers behind the 2022 horror sensation,Talk To Me. Their latest collaboration scared a new audience to the tune of $7 million and earned another $1 million abroad for a global total of $8 million.Bring Her Backfollows a brother and sister who witness a terrifying ritual at the secluded home of their new foster mother. Sony Pictures Releasing UK/YouTube Trailing just below isRyan Coogler'sSinners. Despite being in its seventh week of release, the vampire feature still drew big crowds and crossed another milestone by bringing its global tally to $360.1 million.Sinnersis not only among the top 10 highest-grossing releases to debut this year, but is the only one of the titles not based on existing intellectual property. This weekend also included the limited release ofWes Anderson''s latest,The Phoenician Scheme. Opening in only six locations, following its premiere at the Cannes Film Festival, the movie has earned $95,000 million. It's slated for a wide release on June 6. Read the original article onEntertainment Weekly

 

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