Indies Flex As ‘Musk’ Doc, Chris Rock’s ‘Misty Green’ & Cannes Winner ‘Fjord’ Ignite Theatrical Runs — Specialty Preview

Festival favorites Musk , Misty Green and Fjord debut in limited release in a crowded indie market with awards season rolling along.

Bleecker Street's documentary by Oscar-winner Alex Gibney opens in four theaters in New York (Angelika and Lincoln Square, and LA (AMC Century City and Burbank). The buzzy portrait of Tesla, X and SpaceX chief Elon Musk premiered at Venice to critical acclaim, currently sitting at 100% on Rotten Tomatoes (off 28 reviews, see Deadline's here ). The world's richest person, MAGA donor, chainsaw waver, baby daddy and would-be Mars colonizer takes a thrashing. He didn't participate in the doc and has trashed it on X but wanders across the frames as CGI avatar speaking words that Musk has spoken. Related Stories News 'Other Mommy' To Cook Up $20M Opening, 'Social Reckoning' Won't Have Many Friends - U.S. Box Office Preview Festivals 'Fjord', 'All Of A Sudden', 'Minotaur' & 'Coward' Among Titles Set For 30th Edition Of The American French Film Festival In L.A.

Weekend Q&A screenings with Gibney were sold out in NYC and selling fast in Los Angeles, featuring producer and Pulitzer Prize-winner Ronan Farrow, journalist Zoe Schiffer, and former conservative influencer Ashley St. Clair, who shares a child with Musk and appears in the film. She refused to accept a financial settlement after her split with the multi-billionaire that would have required her to sign a non-disclosure agreement. Watch on Deadline

The doc, which also screened at fests from TIFF to Zurich, Hamptons, Mill Valley Film Festival, Beyondfest and more, is a hefty 225 minutes long - plus a ten-minute intermission - which limits showtimes. Expands to about 300 screens next week.

Musk has converged with Sony's wide release this weekend of Aaron Sorkin's The Social Reckoning , a sequel to The Social Network focused on the dangerous, sordid side of Facebook under founder and CEO Mark Zuckerberg. And Luca Guadagnino's Artificia l, a damning look at OpenAI co-founder Sam Altman isn't coming out until December but has been making headlines since its world premiere at the New York Film Festival this week.

Filmmakers clearly have big tech on their minds, especially AI, which is everywhere in the national conversation heading into the mid-term elections.

Neon launches Cristian Mungiu's Cannes Palme d'Or-winning drama Fjord starring Sebastian Stan and Renate Reinsve at four theaters in NY and LA. A devout Romanian Norwegian couple named Gheorghius resettle in a village in a distant fjord where they become close to their neighbors, the Halbergs. Their children bond. When adolescent Elia Gheorghiu shows up at school with bruises, the community questions the traditional education the Gheorghiu children are getting from their parents. Rotten Tomatoes Certified Fresh at 91%. Deadline's review here.

The film reps the second Palme d'Or for Mungiu and the seventh consecutive win for Neon. The film also took the FIPRESCI Award at Cannes and is Romania's Oscar entry for Best International Feature.

A24 debuts Chris Rock's Misty Green at six theaters across New York (Lincoln Square, Alamo, Union Square) and LA (Grove, Burbank, Century City). The TIFF-premiering original indie drama has a first-time lead in Rosalind Eleazar and sees Rock as a filmmaker returning to the director's chair after more than a decade. Eleazar stars as a talented actress whose career has stalled fighting for a second act years after her Hollywood breakthrough. See Deadline review .

Cohen Media Group is out with Winter Of The Crow starring Lesley Manville in 30+ markets and 63 screens, a mix of AMCs, Landmarks and arthouses. Manville's U.K. professor Dr. Joan Andrews is invited to Warsaw to give a lecture in 1981 just as martial law is being imposed. As chaos engulfs the city, she witnesses a murder by the secret police and becomes a fugitive on the run fighting for her life and those of the students with whom she has allied. Directed and co-written by Kasia Adamik from a short story by Nobel and Booker Prize-winner Olga Tokarczuk. Premiered at TIFF 2025. Agnieszka Holland (Adamik's mother) is an executive producer. At RT 94% off 16 reviews.

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Deadline is a part of PMX Global, LLC, a subsidiary of Penske Media Corporation. © 2026 Deadline Hollywood, LLC. All rights reserved.


Source: Lifestyle

Indies Flex As ‘Musk’ Doc, Chris Rock’s ‘Misty Green’ & Cannes Winner ‘Fjord’ Ignite Theatrical Runs — Specialty Preview

Festival favorites Musk , Misty Green and Fjord debut in limited release in a crowded indie market with awards season rolling along. Bleec...

Young Sheldon’s Iain Armitage Addresses Claims He Was ‘Difficult’ on Set in Book Excerpt

Young Sheldon’s Iain Armitage Addresses Claims He Was ‘Difficult’ on Set in Book Excerpt

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Bill Inoshita / ©CBS / courtesy Everett CollectionIn a new book excerpt, the cast of Young Sheldon recalled the challenges they faced amongst themselves off screen, including claims Iain Armitage was “difficult” on set. Jessica Radloff’s Young Sheldon: The (Juicier-Than-Meemaw’s-Brisket) Inside Story of the Hit Comedy, out October 20, is an oral history of The Big Bang Theory prequel centered on Sheldon

In a new book excerpt, the cast of Young Sheldon recalled the challenges they faced amongst themselves off screen, including claims Iain Armitage was “difficult” on set.

Jessica Radloff’s Young Sheldon: The (Juicier-Than-Meemaw’s-Brisket) Inside Story of the Hit Comedy, out October 20, is an oral history of The Big Bang Theory prequel centered on Sheldon (played by Jim Parsons and Armitage).

After finding success at CBS, the cast bonded behind the scenes, but there was still the occasional moment of tension. In Us’ exclusive excerpt from the upcoming book, the adults discussed their approach to supporting the child stars while maintaining some sense of discipline. There is also mention of Armitage’s behavior on set — and his response — as well as insight into his ups and downs with onscreen sister Raegan Revord.

Keep scrolling for more from Young Sheldon: The (Juicier-Than-Meemaw’s-Brisket) Inside Story of the Hit Comedy:

How Many Shows Are There in ‘The Big Bang Theory’ TV Universe? Breaking Down Every Spinoff

“It was a family in the truest sense” is a phrase that comes up a lot on TV sets. Casts are quick to point out that everyone loves each other, and that their set is a truly happy place. It’s not that that kind of sentiment isn’t true, but it’s important to remember that (1) even the best families rarely always get along and (2) it’s still a work environment. Would most people refer to their own colleagues as a family? And perhaps most importantly, why are actors on a TV show held to a different standard?

This was especially true in the case of Young Sheldon, where they’re playing a fictional family. And this fictional family certainly does not see eye-to-eye. But they all do love each other, no matter how many times Sheldon annoys Missy, or Meemaw insults George. The same was — and is — true of the Young Sheldon cast. They loved each other (and still do), but that doesn’t mean they always got along. Relationships could get complicated, and there were times where certain bonds were stronger than others. In the two-plus years since the show ended, some relationships remain as if the show never ended; others have cooled because of physical distance and life. But there’s no denying that this cast still shows up for each other, and that wouldn’t be the case if they didn’t genuinely care. Perhaps most refreshing is that they humanize what it means “to be a family,” and the messiness and joy that comes from working long hours, abiding by strict child labor laws, and providing a safe and healthy environment for young kids who grew up before everyone’s eyes.

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Nicole Wilder-Shattuck / ©CBS / Courtesy Everett Collection

Emily Osment: I was their age when I was on a show [Hannah Montana] and it’s tough. You have no idea how tough it is to be in school and also be at work. It’s a lot to juggle, so I have a lot of empathy for that. Iain and Raegan would finish a dinner scene and just get carted off to school. There’s no break.

Annie Potts: It’s a weird life for a kid because they’re working like adults, and it’s expected that they behave as much as possible like adults. They’d be tired or cranky, or I could tell they just needed to run and burn some energy off. I always gave out whoopie cushions because it allowed kids to be a little naughty in a surprising way, like, “Did you just do that?” [Laughs] And in the early years, it was nice to be like a family off set, too. Every once in a while, if the parents weren’t right there, it was, “Hey, you need to stop doing that.” And if you have a familial relationship with them, it doesn’t hurt their feelings so much. But I especially had a little gravity for them, like, “Annie doesn’t want us to do this.”

Steve Holland: Sometimes they’d be bouncing around and you’re trying to give a note, but they’ve moved on to doing something else. And as some of the actors will tell you, that energy could be a lot. So you always have to try to find that line where they’re kids, and you want them to be kids, but you also have a job to do and a limited amount of hours to do it in.

Lance Barber: I think the moms were mostly happy with all our relationships with the kids and gave us freedom to be honest with them in regards to what we needed as professionals. But occasionally, they had to be shut down.

Annie Potts: Here’s the thing . . . we were all working for Iain. We were all serving him. The characters were meant to serve his journey, so that is a lot for a little person to manage psychologically. He was asked to work and carry the weight of something that would be difficult for an adult, and we know that a lot of behavior comes out in situations like that. Yes, sometimes he was difficult. But I’ve worked with grown-ups who were a lot worse. Sometimes I think he was tired, and sometimes I think he pushed people, and people were kissing his ass! It’s a very challenging situation to be 9 years old and be expected to work, behave, and think like a grown-up. And I say that with absolute love and respect.

Iain Armitage: It was a complete privilege to be on this show and play this character, but yes, it was a big undertaking for an 8-year-old. I always did the best that I could, and sometimes kids are not perfect. I was grateful to the people who understood that and gave me grace.

Wallace Shawn: I always found Iain an enchanting person from the earliest days. I love him. He changed enormously over the years because he was very manic at first. He was wild. And you couldn’t sit down and have a conversation with him. He would be running around, almost the absolute opposite of the character that he played, who was so self-contained and sober. And Iain himself was never contained. He was literally running around the set in circles, and with a frightening amount of energy. [But] as the years passed, he evolved into a very graceful, staggeringly well-mannered person. He’s become very, very dignified.

Jason Alexander: Iain is sort of the uber version of what I learned working with kids. He fires on a maturity level and an intellectual level that is beyond anybody else for his age, and you have to respect both at the same time. If you make the mistake of treating him completely not as a kid, he’s not going to enjoy the experience with you, and you’re going to get shell-shocked when he suddenly is a kid, and he’s goofing around between takes, and you’re going, “Wait a minute. What are you doing?” Conversely, if you think of him as a kid, he’s going to feel your lack of respect for him, as a working person. He won’t be disrespectful and he won’t act badly, but he also does not have the skills to engage as much as he does if he’s fully enjoying the person he’s working with. So that was a lovely little dance of going, “Let’s play! Let’s have some fun! Let’s do this! I’m gonna do a silly move! And what do you want to do?” And that became our playtime. He and I clicked really nicely, really fast. And he’s number one on the call sheet, and that has its own responsibilities, weights, concerns, problems.

‘Young Sheldon’ Cast: Then and Now

Alex Reid: Iain wasn’t always comfortable talking about whatever he was really feeling or something, so he just put out this smoke screen of a million words and ideas and thoughts and impressions and accents and jokes, or whatever. There’s a picture of me standing with him next to the Young Sheldon plaque on the stage, and that was after probably our worst run-in with each other. We were doing a scene, and it would not surprise me if Iain didn’t know he was on camera at this specific shot because he kind of wasn’t playing it like he was acting. I went in there and said, “Iain, you’re on camera, so you got to give it your all.” And he took that as “I’m not giving it my all?” He was pissed that I had implied he wasn’t giving it his all, and kept saying, “Well, let’s go again because I need to give it my all.” And when it was over, I went over and I apologized to him, and I said, “That was a terrible choice of words on my part, and I apologize. I was just trying to protect you because you were on camera, and I wasn’t sure if you knew it or not.” So it was all lovey-dovey, and then I asked him if he’d go out and take a picture with me.

Steve Holland: Raegan and Iain were only children who were thrust into this very strange atmosphere. They’re also incredibly different people; they couldn’t be more different. So, they would play and they would fight in a very sibling way, and I think they probably grew more apart as they got older just because they’re such different people. Raegan is outgoing but I think in some ways Raegan’s more of an introvert than Iain. Raegan’s goofy and funny, and Iain can also be goofy and funny but is much more cerebral and likes to talk about things he’s interested in. If he’s working on Russian, he wants to come up and talk to you in Russian. He’s a little Sheldon-like in that way. Raegan is very bookish. Loves to read and loves to play games. But when they were younger, there was more of a sibling dynamic because they were around each other all the time and no one else. Montana was a little older, so it was different for him, but Montana had a very big-brother vibe. He was really sweet to both of them, and was someone they both looked up to. The three of them really did have this very family dynamic.

Tim Marx: There were times when they were getting along famously, and there were times when they were rubbing each other the wrong way. It was very, very real. Montana kind of floated above that a little bit.

Raegan Revord: We definitely were going through the same experience, being 9 years old, growing up in the public eye, and it was such a sudden thing. People can tell you how it’s going to be, but you don’t know until you’re in it. I have people who don’t understand why I’m not forever 10, and I’m like, “There’s this cool thing called time, and I’m not the character from the screen that you saw when they were 10.” And that’s really rare for similar people who are going through that. So it was nice to have someone who understood that process. But like siblings, you bicker and stuff happens. If you spend 12 hours, five days a week on a set, there’s going to be arguments, and people are going to have clashing opinions.

Iain Armitage: Raegan was so much fun to have as a sibling. It definitely did feel like a sibling relationship, and Rae was kind of the only other person on set who understood exactly what we went through, from being on set to going to school. And I have such mad respect for Rae, doing such cool stuff from writing books to Twitch to acting. And I like to say Zoe and Lance and Annie were so good at their jobs, it felt like such a real family. Still, sometimes families can annoy each other, mostly because they just know each other so well.


Source: Entertainment

Young Sheldon’s Iain Armitage Addresses Claims He Was ‘Difficult’ on Set in Book Excerpt

Young Sheldon’s Iain Armitage Addresses Claims He Was ‘Difficult’ on Set in Book Excerpt ![](https://hermes.media.static.aol.com/logos/lig...

‘WandaVision’ Creator Jac Schaeffer to Develop ‘Stargate’ Series at Amazon (EXCLUSIVE)

Jac Schaeffer is developing a new “ Stargate ” TV series for Amazon MGM Studios, Variety has learned exclusively from sources.

The project falls under Schaeffer’s overall deal with Amazon MGM, which was announced earlier this year . According to sources, a writers’ room is expected to open in the near future. Along with Schaeffer, Joby Harold and Tory Tunnell for Safehouse Pictures will executive produce the project. Related Stories 'The Smurfs' Season 4 Gets First Look as Peyo Productions Reunites With Nickelodeon, RTBF, Ketnet, KiKA and TF1 (EXCLUSIVE) ‘My Octopus Teacher’ Outfit Off the Fence Boards Viviane D’Avilla’s Intersex Doc ‘Let Us Be’ Ahead of Rio Film Festival (EXCLUSIVE)

Reps for Amazon and Schaeffer declined to comment. Popular on Variety

This will be Amazon’s second attempt at a new “Stargate” series. It was previously reported that Martin Gero was working on a new TV entry in the sci-fi franchise, but that project ultimately did not move forward.

Schaeffer is no stranger to the genre world, given her previous success with the smash hit series “WandaVision” for Marvel Studios and Disney+. The show was the first Marvel Cinematic Universe series to premiere on Disney+, with Marvel stars Elizabeth Olsen and Paul Bettany reprising their roles as Wanda and Vision from the Marvel films. It went on to earn 23 Primetime Emmy Awards nominations as well as numerous other accolades. It was one of the most well-reviewed and highly-praised TV shows of 2021.

Schaeffer then went on to create the "WandaVision" spinoff "Agatha All Along" starring Kathryn Hahn as Agatha Harkness, reprising her role from "WandaVision." Schaeffer was the showrunner, writer, and executive producer on that show in addition to directing. Prior to her time with Marvel, she wrote the screenplay for the Disney animated featurette "Olaf's Frozen Adventure" as well as the 2019 Anne Hathaway-Rebel Wilson comedy "The Hustle," which was a remake of the 1980s comedy feature "Dirty Rotten Scoundrels."

She is repped by Curate, CAA, and attorney Erik Hyman.

“Stargate" originally launched as a 1994 movie starring James Spader and Kurt Russell. The film was followed by the hit series "Stargate SG-1," which aired for 10 seasons and starred Richard Dean Anderson, Michael Shanks, Amanda Tapping, and Christopher Judge among others. The spinoff "Stargate Atlantis" then aired for five more seasons between 2004 and 2008.


Source: Entertainment

‘WandaVision’ Creator Jac Schaeffer to Develop ‘Stargate’ Series at Amazon (EXCLUSIVE)

Jac Schaeffer is developing a new “ Stargate ” TV series for Amazon MGM Studios, Variety has learned exclusively from sources. The project...

3 Best New Prime Video and Peacock Movies to Watch This Weekend (October 9-11)

Emily Blunt and Josh O'Connor in Disclosure Day. Niko Tavernise /© Universal Pictures / Courtesy Everett Collection Tap Here To Add Us Magazine As A Trusted Source Add as a preferred source on Google October is usually the time for scary movies, but sometimes, you need a break from boogeymen and spooky ghosts.

That's why Watch With Us has whipped up a weekend Prime Video and Peacock watchlist devoid of any horror films.

While Steven Spielberg 's latest picture, Disclosure Day , has some terrifying moments, it's mostly a thrilling sci-fi adventure starring Emily Blunt as a woman investigating an alien conspiracy.

We also recommend watching American Fiction , an Oscar-winning comedy with Jeffrey Wright and Sterling K. Brown , and A View to a Kill, an unintentional comedy featuring Roger Moore as James Bond.

When Kansas City meteorologist Margaret Fairchild ( Emily Blunt ) suddenly spouts gibberish while on air, most people chalk it up to exhaustion. But cybersecurity expert Daniel Kellner ( Josh O'Connor ) instantly recognizes her words belong to an ancient alien language that he believes the U.S. government has covered up over the years. As Margaret begins to develop strange new abilities, she realizes she's part of a conspiracy that could uncover the existence of extraterrestrial life— or doom humanity as we know it.

Although it received mixed reviews when it was released this past summer, Disclosure Day has more than enough good qualities to make it worth a weekend watch. Even B-tier Steven Spielberg beats most of the A-list directors out there, and he once again shows a gift for weaving together a compelling sci-fi narrative with relatable characters and some thrilling action scenes. Blunt is terrific as a woman who uncovers some shocking secrets about her past that could have global implications, while O'Connor is solid as a tech nerd whose wildest conspiracy theories are proven right before his eyes.

Monk Ellison ( Jeffrey Wright ) is an acclaimed writer with a big problem — no one is buying what he's selling. In a marketplace that prioritizes soft clichés and easy stereotypes, his intellectually challenging fiction doesn't have a lot of buyers. With his elderly mother's hospital bills mounting, he invents a pseudonym, Stagg R. Leigh, and writes a phony tell-all memoir, My Pafology , that includes all the offensive Black literature tropes he abhors. To his surprise, the novel is a hit, and Leigh becomes an in-demand author. Monk has finally achieved the commercial success he's only dreamed about, but can he accept the fact that the public only wants offensive material that goes against everything he stands for?

Directed by Cord Jefferson, who won an Oscar for his adapted screenplay, American Fiction is a scathing indictment of how the media industry consumes and warps Black culture. Monk is demanding and snobbish, but he's also right in wanting to challenge an audience that thinks it's liberal but really is comfortable with stereotypes that are, at best, outdated, and worse, racist. The film is also very funny in its skewering of the publishing and film industries and their all-consuming need for content — the right kind of content, that is.

American Fiction is streaming on Prime Video.

James Bond ( Roger Moore ) has encountered all kinds of mad men over the years, but is he ready for someone truly scary, like a tech bro? In A View to a Kill , 007 travels to San Francisco to investigate Maz Zorin ( Christopher Walken ), a Silicon Valley tycoon who has been selling microchips to the Russians. Zorin's plans involve more than that, though, which is why Bond has to stop him before the entire city is destroyed by Zorin's evil intentions. Standing in his way is the intimidating May Day ( Grace Jones ), Zorin's personal bodyguard, who is capable of bending men to her will in every sense of the word.

Often considered one of the worst James Bond films ever made, A View to a Kill is best enjoyed as camp rather than a straightforward spy picture. Everything about this film is just wrong, from the near-elderly Moore and his obvious hairpiece to a constantly screaming Tanya Roberts as the beautiful but very dumb Bond girl, Stacey Sutton. (Was "Shoutsa Lott" unavailable as a name?) But damn it, you can't say this movie isn't entertaining to watch, especially when Walken, with his slicked-back, bleached blond hair, and Jones, who glares magnificently, are on the screen. One thing that's genuinely good about A View to a Kill is Duran Duran 's synth-heavy title song, which was the first title tune to reach No. 1 on the music charts.

A View to a Kill is streaming on Prime Video.

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Source: Celebrities

3 Best New Prime Video and Peacock Movies to Watch This Weekend (October 9-11)

Emily Blunt and Josh O'Connor in Disclosure Day. Niko Tavernise /© Universal Pictures / Courtesy Everett Collection Tap Here To Add Us ...

2 Siblings and Dad Found Dead in Apparent Murder-Suicide. Hours Earlier, Camera Captured Man Pacing Outside

2 Siblings and Dad Found Dead in Apparent Murder-Suicide. Hours Earlier, Camera Captured Man Pacing OutsideSamira Asma-SadequeFri, October 9, 2026 at 3:54 PM UTC

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Aria Dingwall (left) and Remy Dingwall.Credit: Go Fund Me

Aria Dingwall, 5, and Remy Dingwall, 7, were “best friends and each other’s little world,” family members said in a GoFundMe

Their mother, Olivia Piccolo, went to their father’s residence on the afternoon of Wednesday, Oct. 7, and found the bodies

A neighbor said they heard gunshots the previous night around the same time surveillance footage showed a man leaving the house and pacing outside

Authorities in Florida say a dad and his two young children were found slain in his home in an apparent murder-suicide.

The children, 5-year-old Aria Dingwall and 7-year-old Remy Dingwall, were found in a Cocoa, Fla. home a little after noon on Wednesday, Oct. 7, according to the Cocoa Police Department.

Their father, 37-year-old Joseph Dingwall, was also found dead, police tell PEOPLE in a statement.

Police believe he was “responsible for the children’s deaths” and the evidence at the scene indicates this was a murder-suicide.

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Remy and Aria Dingwall.Credit: Give Send Go

The children were found after their mother called 911 upon discovering the bodies, according to an audio recording of the call obtained by the Florida Today.

Their mother had come to the residence to check on the children because they missed school, the outlet reported.

Police said, however, that it was her day to have custody and she tried to reach Joseph when she went to the home, where the door was ajar, WESH reported. She went in to find the bodies.

PEOPLE has reached out to Cocoa police for further clarification.

A neighbor told police they heard gunshots around midnight at the residence, WESH, WFTV and the Florida Today reported.

Surveillance footage obtained by WFTV from a neighbor’s house from around that time shows a man get out of the residence and pace in circles before going back inside.

It wasn’t immediately clear if Joseph was the same person.

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Remy and Aria Dingwall.Credit: Give Send Go

Want to keep up with the latest crime coverage? Sign up for PEOPLE’s free True Crime newsletter for breaking crime news, ongoing trial coverage and details of intriguing unsolved cases.

Two separatefundraisers have been set up to assist the children’s mother Olivia Piccolo as she mourns this tragic loss.

In a GoFundMe set up for Piccolo, the family is remembering Remy as a “strong, kind, and intelligent young boy who loved his video games, music, and friends.”

“He was in the gifted program at school and excelled at anything he put his mind to,” read part of the fundraiser. “He was a fierce protector of his little sister and his mother.”

“Aria was a bright, courageous, and compassionate little girl who loved her squishy dumplings, all animals, and everything pink, just like her mama,” loved ones said in the GoFundMe.

“Remy and Aria were siblings, best friends, and each other’s little world,” the family said. “They should have had the chance to grow up together, make each other laugh, annoy each other, protect each other, and one day look back on their childhood with a lifetime of memories.”

If you are experiencing domestic violence, call the National Domestic Violence Hotline at 1-800-799-7233, or go to thehotline.org. All calls are toll-free and confidential. The hotline is available 24/7 in more than 170 languages.


Source: Crime

2 Siblings and Dad Found Dead in Apparent Murder-Suicide. Hours Earlier, Camera Captured Man Pacing Outside

2 Siblings and Dad Found Dead in Apparent Murder-Suicide. Hours Earlier, Camera Captured Man Pacing OutsideSamira Asma-SadequeFri, October ...

 

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